Well, what a few weeks it has been. This is my last entry for stage 1 rotation. Am I pleased with my work?
Yes because I completed everything in time and I researched practitioners that will be a new influence.
Yes because I experimented with a lot of media to various degrees of success.
Yes because I am surrounded with creative people, who are a daily inspiration.
Yes because of the essay proposal on illustration.
Yes because I am most definitely 100% sure about the Viscomm pathway I am choosing.
No, because I can see the faults and I have not had time to try again.
No, because I am not sure I would know how to put it right in some instances.
No, because some things like 3DD are definitely not for me and never will be.
No, because my organisation was a shamble at times.
No, because I failed to have fun on a couple of occasions, losing track of what’s important. You can learn from your failures.
But as whole, yes because I feel I am changing and I will continue to do so in the months to come. I can’t wait!
And by the way, because Viscomm is my pathway, I had a go at tweaking my typeface. It will be a challenge that I am looking forward to.
The design phase took far longer than the making. I started thinking of a whole outfit. What would it make it unique? I didn’t want to have to sew even for the fashion rotation. I wanted it original. I lost focus of what the body adornment was for and how it would fit the world I had created.
Then I thought about what made my world unique. The fact that we had survived and now lived in a smaller community was not unheard of. What was ? Our thoughts could be heard and our voices defined the clan we belonged to. This in essence could be a potential threat given the scarcity of resources. Therefore we needed to protect our thoughts and disguise our voices. The design became a head adornment.
Still no fabric But paper, tissue paper, wire, plastic bands, curtain hooks, buttons and wool. This is the outcome.
Making a type of chain
Making a flower out of buttons
Flowers out of tissue paper
Hair band/ protection/aura
It can be futuristic, functional and pretty or so I decided. However, it had to be more of a statement. Bulkier and bolder.
like a helmet
and a voice changer
Although Fashion and Textiles will not be my pathway, I am very pleased with the way I conducted the project. I struggled a lot but by pushing myself to explore different avenues. I came up with an outcome that was very far off the original plan of a sci fi garment. There are sci fi elements in it – the high tech hairband and mouthguard but i also focused on colour as a contrast to the black and white world that I created. It might be a bit too much on the pretty side…
Having missed the 3D workshop induction, it was impossible for me to experiment with plastic moulding…Given more time, I would have liked to use different materials and have a go at sewing. My knowledge and experience in textile is nonexistent almost.
Still, starting with a moodboard was a new way of working that I will definitely use again.
I have discovered Gareth Pugh and am taken by all his collection. This English man, who moved to Paris (I have done the opposite!), makes dark futurism look amazing and this is what attracted me to his distinctive aesthetics. But all his other collections are a spectacle and ooze drama in their own right, They are all truly edgy!
“It’s that idea that if you’re pleasing everyone, you’re doing something wrong! Sometimes you’re trapped in the expectations of what other people think of you.” Well, there is no risk of that Mr Pugh!
If we want to see his avant-garde designs in the flesh, well we can go to Selfridges or Liberty where they are sold. I know I will.
Having played with the concepts of construction and deconstruction, why not venture into reconstruction? I took my dog for a walk to mull things over. I love autumn…the colours, the smell, the fact that it is not too cold yet so you can walk at a leisurely pace and take it all in. My mobile is full of pictures I may or may not do anything with. Logistically, my timetable allowed me just Friday to complete the rotation. I found that from week 2, giving myself the same deadline as the Foundation students was a good target to aim for. So I had a few hours to come up with a strategy and a ‘doable’ one this time. I couldn’t afford to be indulgent and dream of a big installation.
This is what I saw on my walk or rather what tripping over made me see.
A thought emerged from the randomly scattered roots: Devastation. I squinted my eyes and imagined a disaster like the ones we see on TV. I rushed back home to experiment with different and quick media. Charcoal and ink, which I thought were appropriate for the somber mood. By smudging my charcoal, a mask formed on the paper, full of pain and despair. I knew then what I was going to do. I picked up some twigs, leaves and printed them on paper. I added string. The lucky accidents are just the best.
I had my narrative to be arranged on a A2 PDF board as I still felt committed to a 3D piece. And if plaster could not be used, nothing stopped me from trying out polyfilla. I expected some loss of texture and sculpting quality but I was determined to make up for this by adding twigs, glass, stones, sanding paper, timber shavings and making look like everyday items washed away by a hurricane.
The face coming out of the chaotic scene is yelling without being heard or noticed. I took inspiration from The Scream by the Norwegian expressionist painter Edward Munch. The busy organization of the painting was undoubtedly echoing some of Willem de Kooning’s work such as Excavation. I particularly enjoy the energy coming out of them and the sense of incompletion. De Kooning continuously reworked his canvases. Excavation was represented at the Venice Bienale in 1954.
Picasso had inspired him early in his career and for me there are very few paintings that speak as loudly as Guernica.
I applied Heavy Body acrylics paint in a painterly manner.The furious brushstrokes are there to convey that the flesh is being ripped to shred not by the speed of the wind but by our indifference. It shows signs of rotting already. Can we sustain the gaze?
I was also keen on using materials which could be adapted in an artistic context. I found it fascinating and challenging to deal with materials not directly associated to art. In this, I am not alone, the artist Tara Donovan uses everyday manufactured materials such as Styrofoam cups, toothpicks, drinking straws to create sculptures on a very large scale.
‘In a sense, I develop a dialogue with each material that dictates the forms that develop. With every new material comes a specific repetitive action that builds the work, thus I feel safe in saying I will be able to keep finding new methods of production.’ Tara Donovan.
I enjoyed this project very much. I am relatively happy with the outcome but would have loved a much larger scale and even more 3D piece. I suppose I enjoyed it a lot because Fine Art encompasses the other disciplines and the sky is the limit as long as you stay true to yourself.
I am also pleased with the theme that I have developed. The sufferance and indifference of those in need in the aftermath of a disaster is all too real. They lost their homes, their families but the media swiftly move away to hype up the latest news elsewhere. What happened after Katrina?
By chance, the outcome of my fine art project tied up with the response to a crisis from the 3D brief (which I felt was poorly executed since I could not use the workshop having missed the induction and I wanted to redeem myself.) And if this is not obvious, this work is about the lack of reconstruction.
From the beginning of time, we have used our hands to construct and create everything we have used or contemplated. I have always been fascinated with the beauty and the power of our hands.
I therefore decided to sculpt some hands with clay. This is such a satisfying medium. So responsive. So therapeutic! I did one hand. Then two joined together. I ran into two problems. So what? It is a good starting point but given the nature of sculpture, the rotation gave me limited time to finish it in time. I am not an accomplished sculptor by any means. I completed a couple of pieces in a short course by being given guidance all the way through. The technicality was too daunting and the end too uncertain.
With the clay left over, I decided to create a relief instead. The process is much easier and straightforward. I copied an easy design: a rose sketched weeks before. I lack experience to add all the flower’s folds. Casting it with plaster was also fun. However, waiting for it to dry properly and carving it out proved time consuming and frustrating. My mixture could be to blame or the rainy weather. I gave it a wash in diluted acrylics to see how the plaster absorbed the paint. I was pleased to see that I could treat the relief like a normal canvas.
The plan then was to create more figurative reliefs and statues made out of cardboard armature like my own take of Brancusi’s Kiss I made last year. Then smash them and reflect on the loss of great civilizations. I wanted to play with the notion of construction and deconstruction. Human beings seem to be experts at building great worlds that they destroy centuries later. History seems to repeat itself constantly.
Given more time, I would probably have experimented on a larger scale. Unfortunately I felt I had to give up this experiment if I wanted to end up with a medium to a large scale project that I had in mind. I was slowly but surely running out of time on a rainy Thursday afternoon. I had experimented with lots of things but was not really clued up how to proceed further. I took a deep breath and decided to revisit my brainstorming ideas from earlier in the week. Back to square one!
We are now in our fourth rotation: Fine art. I have been so busy with research and making art that I have not posted anything in nearly a week. This rotation was at first daunting but exciting too. It is the first time since the inception of the course that your creative licence is set free no matter what the brief says.
The brief: Make art. The theme: Construct. For me those two words are synonyms. They are both unrestrictive and totally open to personal interpretation. I thought straight away of Daniel Silver’s installation The Dig at a disaffected and dilapidated two storey Odeon cinema off Tottenham Court Rd. Silver simulated an archaelogical excavation. All the sculptures, mostly plaster, but also marble and terracotta, have been made by hand, then deformed. The artist was fascinated by Freud’s collection of classical statues. Freud referred to his collection as a metaphor for uncovering the truth about people. Silver’s message is less clear but his work is atmospheric and even more in the basement. I found it difficult to take it all in and I stood there unable to leave. At first his statues look out of place, like the space itself. Watching closer at the idols, deities and Freud’s bust, I couldn’t help feel that Silver took us on an historical journey where we are free to project our own meanings too. It is very introspective and powerful.
With this wonderful installation in mind, I began to dig into the possible construction materials and play with the various meaning of construct. I had then decided my work would be a 3D piece.
Very few of us own Glass or Galaxy Gear but many of us would love to at least try them once. And what about the iwatch rumoured to come out in 2014? What is the hype all about? After all, Captain Spock’s Communicator is here now: the mobile phone. What was science fiction has become reality. The pace is innovation is such that we can reasonably assume that we will see the unimaginable in our lifetime. After all, the person who will live until 200 years old has apparently already been born!
I needed a narrative for the book and given my newly found interest in technological wearables, I decided to give it a positive spin and go against Sunday Times’ opinion. Josh Glancy thinks it is all gimmicky and more suited to teenagers though most of them could
not afford the gadgets. I believe he’s wrong and that once they becomes a fashion item, we will all want them. Today’s mobile phones are yesterday’s trainers and sports gear’s fashion statement. Once the price comes down, so will tech wear. Also Burberry’s chief Angela Ahrendts is joining Apple next year to become senior vice president for retail and online stores. Earlier, Apple hired Paul Deneve, the former chief executive of the French fashion house Yves Saint Laurent, to work on special projects. This is when fashion meets tech. Watch this space.
It could be that the latest hires from Apple and the rush to beat the corporate giant made Samsung launch Galaxy Gear too soon. The watch is cumbersome and heavily reliant on bluetooth. Never mind. Those teething problems will be sorted. In my book I touched upon those faults but only briefly with a different font and background that are meant to clash with the undertone of the product. I, however, finish with a poster washed by vibrant colours and people partying for what’s to come with the slogan can’t live without.
The book took ages to complete as I experimented with many fonts and logos. To contrast the pros and the cons in the layout was also not straightforward. I used a scale but the whole message was lost and the look clanky. So I opted to reverse the letters to oppose it to the positive and exciting message of the book instead. I think this was a good move.
Playing with typeface, colours and layout is time consuming. It takes planning. Given more time, I would probably come up with a product I am really happy with. As it stands now, I am glad to have experimented with so many aspects in a short space of time.
This is definitely the pathway I will choose. I can’t wait to learn more.